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#SPLATTER BEACH MOVIE#
Unlike past efforts, where the Polonias used gore and sleaze to make their points, this mild mannered movie wants its retro retardation to carry it - and for the first 45 minutes or so, it does.
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Splatter Beach has all the trappings of a mid '80s VHS epic, from the ridiculous man in a monster suit to the copious amounts of fake blood. No longer the mavericks with an 8mm lens clamped to their hands, they've settled into the role of old school scare savants rather well. They will do just about anything - no matter the lack of logistical or logical rationale - to realize their motion picture particulars, and Splatter Beach is a perfect example of this creative concept.Īt this point in their career, these middle aged men who have used homemade cinema as a cockeyed creative release are really riding on reputation. There is perhaps no more daring cinematic partnership as the one forged between these Pennsylvania siblings. Does something that already feels like a spoof really need a cinematic dressing down? Even worse, can a movie that already manufactures its own unintentional humor really be part of such genial junk reverence? Since we are dealing with the men who made foam rubber aliens appear absolutely anarchic in their Feeders films, and delivered both gore and the gratuitousness with their debut diversion, Splatter Farm, the answer is an obvious "Yes". Sea Monster strangeness, the weird warning signals start going off in your aesthetic. So when you first discover that filmmaking siblings John and Mark Polonia are out to make their latest effort, the goofy Splatter Beach, a riff on such schlock classics as The Horror of Party Beach and similar Man vs.
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Choose poorly, however, and you'll end up melting into a motion picture pile of goo, or rapidly aging into a tired genre corpse. Choose wisely, and the combination of past and present merge into something very close to immortal. It's a lot like Indiana Jones and the Last Crusade when it comes to picking your horror homage. Like one tourist says, they don't call it Splatter Beach for nothing. One by one, the townsfolk find themselves the victim of an amphibious evil, a horror that walks the bingo blanketed shoreline looking for blood and body parts to satisfy its sinister urge. He runs into Tess, a resident reactionary who tries to warn the town of the terror all around. The couple just want to pump and party, but the jaunty journalism major wants a story. This spurs the interest of reporter wannabe Rubert, who along with his friends Rodney and Tonya, rent a cabin near the locale. People have been disappearing left and right, and some of the locals fear some manner of murderer has risen from the watery depths. Over at the lakeside community of Sea Bright Beach, strange things are going on. The answer is intriguing, to say the least. Naturally, the question becomes if the company can create what it easily unearths and rereleases. Now, the suits have strapped in and decided to make their own damn movies, and they've hired noted terror twins Mark and John Polonia ( Splatter Farm, Feeders) to helm their first ever offering - a tongue in cheek creature feature entitled Splatter Beach. Resurrecting such repugnant remnants as Video Violence ( 1 & 2) as well as Ghoul School, and the Zombie Bloodbath trilogy, it seemed that any and every gore-drenched disaster from the Greed decade was destined to find a new aluminum disc home within their inventory. Instead of concentrating on new, novel product, or well regarded nostalgia, the appropriately titled enterprise wanted to go back to the days of direct-to-video variety, a time when Super VHS and camcorder creativity ruled the no-budget, independent horror terrain. When they first appeared on the DVD horizon, Camp Motion Pictures had come up with one of the most peculiar business models in the entire movie distribution industry.